Tell Mama was recorded at the FAME Studios in Muscle Shoals, Alabama, on the encouragement of Leonard Chess, who successfully convinced James to record the album there. Allmusic reviewer, Bill Dahl praised the album's production, called its sessions, "skin-tight."[1] At Muscle Shoals, producers were able to mix her voice in order for it to sound stronger on previously-distorted high notes.[2] The album's title track became one of the biggest hits of James's career, becoming her first Top 10 hit in four years and her highest-peaking single on the Billboard Pop chart, reaching #23. It has since been considered one of her all-time classics. The album's cover of Otis Redding's "Security" also became a major hit, reaching the Top 20 on the R&B singles chart, while also making the Pop Top 40.[3][4]
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In a retrospective review for AllMusic, Bill Dahl felt the album to be "one of her best and most soul-searing Cadet albums." Dahl called the title track "relentlessly driving" and "I'd Rather Go Blind," "a moving soul ballad." He also said that the album's producers, "really did themselves proud behind Miss Peaches."[5]
Queen's discography is chock-full of classic hits, but none fits best on the "love song" category than this tune. "Crazy Little Thing Called Love" is an uptempo, genre-bending single that stands the test of time.
"Crazy in Love" remains one of the best pop songs of all time, iconic in both its beat and the unforgettable music video that went along with it. As Beyoncé continues dominating the world as the goddess of the arts, it's hard to pick just one of her best hits but this has to be the contender for greatest love song.
"God Only Knows" finds itself at the top of most "best songs of all time" lists for good reason. Visionary Brian Wilson crafted some of his best work on the 1966 album "Pet Sounds," and this heart-melting track is one of the record's highlights.
Bill Withers's "I Can't Write Left-Handed" is more than just a condemnation of the Vietnam War. He doesn't focus on the big picture, but instead zooms all the way in on a single soldier: young, impressionable, and unaware of the full gravity of the choice they've made to fight these hollow battles. "Boot camp we had classes / You know we talked about fighting, fighting every day / And looking through rosy, rosy colored glasses / I must admit it seemed exciting anyway," Withers sings from the perspective of a fresh recruit. Many protest songs focused on the war in the abstract, but Withers's 1973 song captures the tragedy on an individual scale with precise, heartrending details.
In 1960, a young singer named Etta James breathed life into a '40s show tune, putting together a soulful, string-centric arrangement and making it the title track of her debut album. James's version of "At Last" has been covered by everyone from Aretha Franklin to Beyoncé, but even among those iconic vocalists, her take stands alone. And though it never topped the charts, Etta James's single remains one of the most enduring of the 20th century.
Marvin Gaye's What's Going On is one of the most crucial political albums ever, offering soulful, nuanced thoughts on the Vietnam War, environmentalism, the subjugation of inner city residents, and so many more pressing topics. The 1971 record's title track (and opener) sets the scene, with Gaye singing from the perspective of a young idealist, grappling with the ills all around him. "Mother, mother / Everybody thinks we're wrong / Oh, but who are they to judge us / Simply 'cause our hair is long?" he asks, speaking for an entire generation.
The Mack is considered by some to be one of the strongest entries in the blaxploitation cinema genre, and its Willie Hutch soundtrack is peerless. The centerpiece off the 1973 album is "I Choose You," a declaration of love so tender that it should be required in every wedding band's set. "You were there / When no one else / Would be in my corner," Hutch sings as horns swell, and the backup vocalists harmonize in a truly celestial arrangement.
This hit song from The Gap Band's 1982 self-titled record is best experienced in its six-minute extended form, so listeners can soak in its joyful blasts of horns, worming bass, and Charlie Wilson's star-making vocals. In recent years, "Outstanding" has become a staple of samplers, being used by everyone from Tyler, the Creator to Usher to Madonna thanks to its groovy breakbeat and ebullient chorus.
Blending the disco ball shine of '70s pop music with an old school soul singer's charisma and emotive delivery, Luther Vandross emerged as a star thanks to "Never Too Much." He earned two Grammy nods in 1982, and "Never Too Much" remains a song that masterfully mimicks the intoxicating feeling of infatuation, particularly in its soaring hook. 2ff7e9595c
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